Friday, 8 March 2013

Frogsporn ...

West Sussex, 8 March 2013

Overnight, and exactly a year to the day, my pond is once again awash with frogspawn.

I woke this morning to a mass of frantic sexual activity, with at least seven individuals taking part in this annual mating pilgrimage. Every year I keep watch for returning Common Frogs (Rana temporaria), their presence generally betrayed by their calling.

With heavy rain falling for most of today, I decided to keep my camera dry. The picture below was taken on 11 March 2012.


A positive sign of spring ...

Thursday, 7 March 2013

Morphology ...

CONCENTRATING ON THE DETAIL

Most identification of Lepidoptera does not require the use of a dichotomous key (a means for the identification of organisms based on a series of choices between alternative characters), but relies on pattern recognition and learning the species verbatim from images in books and the internet, the ability growing with experience. However, in most other large orders (e.g. Diptera, Coleoptera and Hymenoptera) even the beginner must learn from keys, or diagnostic characters to be able to distinguish taxa even at the family level. Although there are exceptions, it is generally not until the lepidopterist begins to tackle the microlepidoptera that the use of morphological characters (e.g. genitalia, wing venation and body structure) becomes commonplace, and often a prerequisite, in aiding identification.

Most butterflies and moths have two pairs of overlapping scaled wings. These are comprised of an extremely thin double membrane with rigidity provided by a network of nervures (the hollow ‘veins’ which radiate from the base of and form the framework of the insect’s wing). The pattern of nervures is different for each genus of butterfly and, as such, this is one of the key criteria used by taxonomists when classifying butterflies.

To venture a little deeper, the fore and hindwings of most moths, though not all, are united during flight by a coupling apparatus, the frenulum (a bristly structure on the hindwings that holds the forewings and hindwings together). This particular mechanism is never found in butterflies, in which the wings are held together only because the front pair overlaps the hind to a considerable extent. The amount of this overlap is increased by the humeral lobe, a special projection found only in butterflies, and situated at the basal end of the costa on the hindwings. This type of arrangement is known as amplexiform (clasp-like) wing-coupling.

The image below, of a female Brown Hairstreak (Thecla betulae), shows the humeral area, close to the rear and either side of the thorax. In addition, key wing venation is visible, including the radial and medial veins on the hindwing, and the radial, cubital and anal veins located on the forewing. The discoidal cell of the forewing is also clearly discernable.

A  Humeral area
B  Radial nervure (vein)
C  One of the medial nervules
D  Radial nervure (vein)
E  One of the cubital nervules
F  Cubital nervure (vein)
G  One of the anal nervures (veins)
H  Discoidal cell

I appreciate that this level of detail, which by no means is digging very deep, is not to everyone’s interest. However, for those who have the time and the inclination to do so, I thoroughly recommend looking a little closer and you will soon discover a whole new world full of fabulous hidden wonders …

Try it sometime ...

Sunday, 17 February 2013

First one to blink ...

Roe Deer

The roe deer, Capreolus capreolus, is primarily an animal of open mixed, coniferous or purely deciduous woodland but is also capable of adjusting to a wide range of other environments. It has also penetrated many towns, making use of gardens, parks and other open spaces where suitable food and cover exist. It may often be seen well out into open farmland, particularly when occurring at high densities.

Roe deer are indigenous to Britain, having been present since at least the Mesolithic period (6,000 to 10,000 bp). The clearance of forests and over-exploitation by hunting led to roe deer becoming extremely scarce in the medieval period. By 1700 it was considered extinct in southern and central England and all of Wales, surviving only in remnant woodlands in parts of the central and northwest Highlands of Scotland. A number of reintroductions during the Victorian era, and their subsequent natural spread aided by an increase in woodland and forest planting in the 20th century, has meant that roe deer have become widespread and abundant today.

A roe doe listens and watches ...

Friday, 15 February 2013

After dark ...

Bats in the attic?


Despite the loss of over 90% of our bats in the past 50 years or so, 18 species of these increasingly uncommon nocturnal creatures can sometimes still be found in southern Britain. Although legally protected, most species of these tiny intelligent mammals sadly continue to decline in numbers, mainly due to loss of habitat and changes in farming practice. All British bats eat only insects, populations of which have also reduced massively in the past fifty years or so. In Britain, a female bat has only a single baby (pup) each year, and often cannot give birth in poor summers; such as those we have experienced recently. Such slow reproduction makes it extremely difficult to reverse the decline of these beautiful and delicate mammals.

Most of our bats like to roost in trees, but a few species have adapted to take advantage of the opportunities offered by buildings at certain times of year. For example, a warmer environment can help a bat rear its pup during the summer. The pup is reared on its mother’s milk until it can fly, which may be as soon as three weeks after it is born. By autumn, the house dwelling maternity colony will typically be dispersing to mate and then to hibernate, perhaps in trees or underground sites.

Although they occasionally do, their presence needn’t worry householders – in fact most people remain quite unaware of their secretive little lodgers. Bats by their very nature are clean, gentle little animals, which spend much of their time grooming. They don’t build nests, so won’t bring any messy materials into the house and, perhaps most important of all, they don’t gnaw and chew at things, so won’t cause damage to electrical wiring and cables.

Bat droppings are sometimes found beneath roosts, but these are quite harmless and are not known to harbour disease. Droppings are sometimes seen on outside walls and windowsills near to roost entrances, but can also accumulate in lofts. If swept up after the bats have left, they make excellent fertiliser for houseplants. Bat and mouse droppings look very similar, but there is an easy way to tell them apart. Bat droppings consist only of the dried out fragments of insects and, if rolled between your finger and thumb, they will crumble away into dust; they also have a slight ‘sparkle’ about them. On the other hand, mouse droppings are solid, generally dull in appearance and remain in one piece.

Which bats live in houses?

The two very rare horseshoe bat species, the greater horseshoe (Rhinolophus ferrumequinum), and the lesser horseshoe (Rhinolophus hipposideros), like to roost in buildings, but are no longer regularly found in the south east of England. None have been recorded in Kent and Surrey for many years, and a mere handful remain in West Sussex. Usually found are our most common bats, the common pipistrelle (Pipistrellus pipistrellus) and the soprano pipistrelle (P. pygmaeus), which as crevice dwelling species, like to tuck themselves into gaps around the outside of properties rather than enter the loft space. They tend to do this mostly in the summer months when groups of females will cluster together in a warm spot to rear their young hidden beneath barge boards, hanging tiles and so on. In winter, odd individuals are sometimes found hibernating in similar gaps, but this time in the coldest rather than warmest places on the house. Perhaps surprisingly, pipistrelles seem very fond of modern houses, especially where small gaps and splits have opened for them into which they can squeeze. Though little more than an inch (2.5cms) in length, a pipistrelle can eat up to 3000 midges in a single night, and needs to do so to fuel its energetic lifestyle.




Another house specialist is the brown long-eared bat (Plecotus auritus), small groups of which will congregate in the lofts of (usually) older houses for a few months in the summer, again whilst the young are being reared. Larger than the tiny pipistrelle, it has huge ears, almost as long as its body, which it uses to listen by means of echolocation for its insect prey. The ears are tucked safely beneath the wings for protection whilst the animal is at rest. An individual bat will occasionally remain in a cold part of the loft to hibernate. A much rarer house dweller, and one of our largest bats, is the serotine (Eptesicus serotinus). Several times the size of a pipistrelle, it is still very small - a little over three inches (8cms) in length, although its wings may span over a foot (>30cms) in flight. These favour the lofts and attics of houses built at least 100 years ago where a few will occasionally roost during the maternity period. They have also been known to hibernate, usually singly, in roofs or cavity walls. Serotine bats are particularly fond of flying beetles such as cockchafers, which they catch on the wing. Other species of bat are much rarer in England and are very seldom found in houses.

Advice on your bats

If you have any concerns about bats in your property, do call the Bat Helpline on 0845 1300 228 – they can provide lots of advice and literature on bats, and even arrange free advice where building repairs, timber treatment and so on are necessary in or near a roost. Their web site www.bats.org.uk provides a wealth of information about bats, and many leaflets can be freely downloaded. They also run a rescue service – so if you find a grounded bat, give them a call and someone will be able to help.

Bats and rabies

The European strain of rabies found in bats is extremely rare in Britain. Only ten cases have been identified since 1986, all of them in a single species that does not roost in houses. There is no need to worry about rabies if you do not handle bats – the disease is only passed via a bite or scratch, or from an animal’s saliva coming into contact with eyes, mouth, nose or an open wound. As a precaution, bats should not be handled. If it is necessary to do so in the case of a grounded or injured bat, gloves should be worn - and don’t forget to call the Bat Helpline, as detailed above, for advice or support from a local bat worker.

My thanks to Martyn Phillis (Surrey Bat Group) for his assistance with this article. All images copyright Martyn Phillis.

Thursday, 7 February 2013

Arvicola amphibius ...

European Water Vole

"Believe me, my young friend, there is nothing - absolutely nothing - half so much worth doing as simply messing about in boats”

Rat, Chapter 1 ...

Kenneth Grahame, The Wind in the Willows


The European water vole, Arvicola amphibius, Linnaeus (1758), formerly A. terrestris, is widespread across Europe where it lives in the well-vegetated banks of slow moving streams, rivers, dykes and other waterways. It is found throughout Britain where it is generally confined to low ground. It is absent from Ireland. The extensive waterside burrows of these strong swimmers have many levels that help to prevent flooding, as well as chambers for nesting and food storage. Burrow systems are typically located in the steepest parts of the bank and usually have underwater entrances to give the animals a secure escape route if danger threatens.


A. amphibius has a diet of grasses and waterside vegetation, though other broadleaved plants are also eaten. Where blades are bitten off the imprint of the two large incisors is both prominent and diagnostic. It is not uncommon to see "lawns" of closely manicured grass, occasionally with piles of chopped food, around burrow entrances. A. amphibius tend to be more active during the day than at night. The males range along about 130 metres of water bank, while females restrict their range to about 70 metres. Ranges of both sexes and all age classes are reduced during the winter period. They deposit their distinctive black, shiny faeces in latrines, which occur throughout and at the edges of their range and wherever they leave or enter the water. Three or four litters a year are typical. In mild springs the first of these can be born as early as March or April; though adverse conditions will delay breeding until May or even June. There are about five young in an average litter, which are born below ground in a nest lined with finely shredded grasses and reeds. Although blind and hairless at birth, the young develop quickly and are weaned at 14 days. On average, water voles only live about five months in the wild.

Their most important predators are mink and stoats; though other predators are known to take them. They have sadly experienced one of the most severe declines of any wild mammal in Britain during the 20th century. Changes in farming practices during the 1940s and 1950s caused the loss and degradation of suitable habitats but the most rapid period of decline was undoubtedly during the 1980s and 1990s when the American mink (Neovison vison) spread rapidly across the country having been released from fur farms. Between 1990 and 1998, the population dropped by a staggering 90%.

Arvicola amphibius is an excellent flagship species and one which we should endevour to protect. Their presence reflects a healthy aquatic environment and associated waterside communities.

Monday, 28 January 2013

Passionate about precision ...

West Sussex, 28 January 2013

Interview with the artist ...


Tony Ladd is an accomplished artist in every sense of the word. From winning his first art competition at the age of nine, Tony has excelled in all areas of artistic expression. Originally trained as an illustrator, and gaining a degree in graphic design at Worthing College of Art and Design, he has expanded his portfolio with photo realistic illustration, woodcarving, sculpture, jewellery and even interior design. His design agency commissions have ranged from high street branding of many famous names, restaurant design, packaging and one-off corporate sculptures.

Wherever and whatever project Tony is working on he has never forgotten the days of growing up on his Grandfather's farm in Ditchling, West Sussex; It was this childhood experience that changed his life forever. With an abundance of wildlife all around him and with his Grandfather's expert knowledge handed down - which included ornithology, flora, fauna, fishing and farming - our native wildlife has proven to be a lifelong passion. Nothing pleased him more than fishing for roach while observing the insects and birds that rewarded him with memorable close encounters any naturalist would be envious of. Tony soon began to identify his surroundings in detail and learn from nature. The ultimate culmination of years of observation, study, design and illustration has led Tony to produce some of the most amazing works of art - all with a firm wildlife theme.

As a trained graphic illustrator and wildlife artist, he finds the painting of unbelievably accurate replica eggs an exciting challenge. Tony says "with nature creating such a wonderful diverse collection of colours and patterning, it is certainly a labour of love recreating these accurately". Finding techniques to mimic the shapes and infinite variety of patterns, culminates in the most astonishing egg replicas that look so lifelike, you would swear they were the real thing.

I must stress, that every egg depicted in the images below is a precision replica ...


The first step in a lengthy pursuit of excellence was to visit the oological collections housed at the Oxford University Museum of Natural History (OUMNH). Once this data collection process had been completed, his 2D sketches were transformed into aluminium master egg shapes on a pattern makers lathe. From these master eggs, silicone moulds were then poured to form a female mould master for the pouring process. The eggs are made from a special moulding plaster re-enforced with fibre-glass particles for increased strength. Once the eggs have been poured and removed from the silicone moulds the real work begins. Each egg is first drilled with a tiny hole which enables Tony to hold and secure the egg whilst painting; this is usually done with a cocktail stick. Having studied the eggs of most of Britain's birds, Tony is aware of not only the correct colours for each egg but also on the finish i.e. shiny, matt, or to coin a phrase 'eggshell finish'. This is important in obtaining a true replica as Tony says “I have seen a whole host of replicas which not only look like they were painted with an emulsion brush but have had a high gloss finish coat which just makes them look so unlifelike”. Tony uses a number of different ways to achieve the perfect replica including airbrushing, sponging and, although painting with the tiniest of brushes, he has even been known to use a whisker from his Bengal cat to achieve the minutest of squiggles.

The completed collections are mounted into bespoke cases in either dark mahogany or light beech finish. The eggs are all listed by their field and scientific names and finished with a gold plaque with the family name on the front edge of the case. As a thank you to OUMNH, Tony donated a set of Birds of Prey eggs to the Collections Manager (Zoology) who said, "behind glass it was almost impossible to tell the replicas from the real thing - the best I've ever seen", a great endorsement if ever it was needed.

Tony has also produced a fabulous range of limited edition, lithographically printed, photo realistic prints, where he has been fundamental in the production of every stage of the print process.



















The distressed background colour of each print has been selected to mimic the natural hues and tones of nature, and to maximise the wonderful diversity of the eggs colourings. Each print is signed and numbered and has been stamped with an embossed seal of authenticity. The plates are destroyed at the completion of the print run. Tony was adamant that the quality of these prints exceeded anything in the marketplace today; an achievement that I genuinely believe he has surpassed.

He is currently working on a new and very exciting project which, for now, must remain under wraps.

Watch this space …

Tony can be contacted at www.tonyladdart.com

Tuesday, 22 January 2013

Festival of exotica ...

RHS Wisley, 21 January 2013

Butterflies in the Glasshouse (12 January – 24 February 2013)

“Escape winter's chill and set hearts a-flutter with a visit to Butterflies in the Glasshouse. Enjoy the sight of exotic butterflies and the beauty of a world class tropical plant collection in this special experience, guaranteed to banish the winter blues. Wander underneath palms and watch the butterflies take part in courtship flights and feed from plant nectar and fruit. Butterflies in the Glasshouse is perfect for children of all ages. 'Awe-inspiring' and 'spectacular' are just some words used to describe the event by the hundreds of families who visit every year. For children, it's a chance to see these beautiful creatures in their 'natural' surroundings and understand where they come from.”

I thought I’d take a closer look …

The early to mid eighties found me working abroad in West Africa. Time spent in The Gambia and both northern and southern Nigeria, provided me with opportunities to observe and capture the beauty of many tropical species. Sadly, I have few photographic memories of the insects I discovered. Time then was spent in the bush armed with just a net to capture my prize followed by release after observation. I remember those years quite clearly and visits to butterfly houses always reignite my passion for tropical species, first sparked after visiting Worldwide Butterflies in Brighton in the late sixties (my parent’s still have that small case of three tropical specimens (Troides aeacus, Papilio horishanus and the beautiful Urania ripheus), though now looking rather sad and somewhat faded. Although many tropical species are undoubtedly quite stunning, in my opinion, you can’t beat the magnificence of our own entomological fauna. As my good friend Neil Hulme once said, “Lovely as they are you can't beat an English Purple Emperor, spread-eagled on a woodland ride on a warm July evening”.

I’ll certainly second that …

For those that haven't visited I highly recommend a trip, though do allow time for your camera equipment to acclimatize. As you would expect, it is very hot and humid in the glasshouse so do take a cold drink with you and dress sensibly if you are planning to stay for any length of time.

I hope to go again so maybe see you there …